Sorry Records with Morpheme, Tony G, Nick Boyd

.. -._ ._.--. _.. - ' , `.- ' .-- ~- ' ( ) . (,-- --._.'-. .--._ ( .- .n__.-:_,---. `--._.'`-' ___________ /_oo=oO_ c-c'_____________________________a:f___ The Sorry Records Bossa Residency chugs along... This May's edition welcomes long lost friend and resident of the city of Chicago mr. Tony G himself for a special #TonyTakeover We’re thrilled to have Philadelphia via Chicago via the Pacific Northwest journey-folks Morpheme join us for their Bossa debut. We first came across Nishkosheh when they played at Hemlock Nights at Honcho Campout a few years back. We were instantly charmed by their excursions through the lower end of the BPM spectrum, synthesizing sounds equally sludgy and euphoric into something well within the Sorry Records comfort zone. Tony’s move to Chicago strengthened their ties and introduced WAV FUZZ, Morpheme’s other half, a tall drink of water with a vintage mixing board and a penchant for laying fuzzy guitars over electronic beats. Their inevitable collaboration finally landed in the summer of 2024, where Tony was lucky enough to witness their big-bang first performance at a campout weekender outside of Chicago. The sounds he heard that day would become Morpheme’s first record, Collected Pieces, a timeless slab of 80s inspired weirdo pop goodness out now on EYMS. As DJs, they’re equal parts menacing and silly, very much in our wheelhouse, and we can’t wait to have them at Bossa. Label founder / The Lot Radio resident Nick Boyd will be rolling the ball down the hill on opening duties and Tony G himself will be heading up closing hours. Party runs 10pm to 4am and is free before 11pm, $10 after. ♪♫.ılılıll|̲̅̅●̲̅̅|̲̅̅=̲̅̅|̲̅̅●̲̅̅|llılılı.♫ "One of the underground’s best dance labels" - No Tags Podcast, on Sorry Records "Loveable, Hard Working, Absolutely Rowdy Party Starters, Speaker Freaks... yea I dunno, what more can you say about Sorry Records? One of New York's hardest working crews, and a bottomless well of support for the city's scene." - Sweat Equity “Since its foundation in 2015, Sorry Records has become a critical outpost in New York’s dance-music scene. The label balances an unwavering commitment to the city’s dance-music history with a dead-serious approach to having a good time. Their best material seems like it could have come out in the ‘90s, were it not for the of-the-moment production techniques and references in the liner notes.” - Michael McKinney, Passion of the Weiss ⠀⠀⠀⠀⠀⠀⣀⡀⠤⠒⠀⠐⠢⠤⠀⡀⠀⠀⠀⠀⠀ ⠀⠀⠀⡐⠈⠉⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⡇⠀⠀⠀⠀ ⠀⠀⠀⡇⠀⠀⠀⠀⠀⠀⣀⣀⣀⠀⠀⠀⢰⠀⠀⠀⠀ ⠀⠀⠀⡇⠀⠀⠀⠀⠬⠭⠕⡒⠀⠀⠀⠀⠈⡆⢠⠗⠄ ⢰⢢⢸⠀⠀⠀⠀⠀⠉⠉⠉⠀⠀⣀⣀⣀⡀⠁⡌⠀⢸ ⢸⠀⠇⠠⢖⣺⣍⠡⠶⠀⠀⠙⠍⣸⡂⠰⠃⠀⢀⠔⠁ ⠀⢱⠀⠀⠀⠀⠀⠀⠀⠀⠀⠇⠀⠀⠀⠀⠀⠀⠀⠃⠀ ⠀⢸⣀⠀⠀⠀⠀⠀⢀⠇⠀⠘⡄⠀⠀⠀⠀⠀⢀⣘⡀ ⠀⠀⠀⡆⠀⠀⠀⠀⡘⠀⠀⠀⢰⠀⠀⠀⠀⠀⡇⠁⠀ ⠀⠀⠀⡇⠀⠀⠀⠀⠧⠖⠖⠒⠒⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⡇⠀⠀⠀⠀⠀⢀⢰⠀⠀⠀⠀⠀⠀⠀⢀⠀⠀ ⠀⠀⠸⠀⠀⠀⠀⠀⢀⣈⣀⠀⠤⣄⡀⠀⠀⠀⠘⠀⠀ ⠀⠀⠀⢇⠀⠀⠀⢶⠮⢖⣓⠸⠽⠛⠃⠀⠀⡰⠃⠀⠀ ⠀⠀⠀⠀⠑⠄⣀⣈⣉⣁⢀⠀⡀⢠⠤⠒⠉⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⠊⠉⠈⠀⠀⠀⠀⠀⠀⠀