Suspended Objects 004

ₛᵁₛᴼᵦᴶₑᶜₜˢ 𝟎𝟎𝟒 // an evening of⁣⁣⁣⁣⁣ voices & heavy metals London-based duo AM sin create immersive electroacoustic soundscapes through modular synthesis, live vocal processing and audiovisual performance, moving between dark ambient, industrial, drone and experimental electronics. Maria’s voice draws on operatic and choral techniques, from sustained tones and breath to fragmentation and distortion. Nian’s sound design shapes the sonic architecture, holding tension between intimacy and collapse, control and disintegration. happyhappyface creates analog compositions born from keyboard improvisation and modular synthesis, moving between restraint and rupture with a language informed by IDM, techno and classical. A regular presence on the London scene, he has performed across Europe from Manchester to Hamburg. Luke Samuel Marley is a musician from Northern England, working in collaboration with contemporary dance companies, visual artists, and performance art collectives, providing improvised music and ethereal sound design, drawing from a catalogue of found sound and manipulated live performance. SEMARÃ is a trans goddess of becoming and change a figure that resists fixed forms and moves across identities, emotions, and states of being. Through transformation, SEMARÃ offers a way of thinking about trans+ experience as multiple, evolving, and held in relation to others. Drawing on this myth, ECLOSE is a live performance combining movement, ambient sound, poetry, and ritual to explore transformation, identity, and collective experience. Rather than following a linear narrative, the performance moves through moments of tension, care, and connection, creating space for reflection through sound, movement, and shared presence. Developed through collaborative practice and trans+ sisterhood, the piece approaches rage as something held in the body as memory, resistance, and a force for change. Through layered sound, choreography, and live performance, ECLOSE explores how grief, expression, and collective experience can create new forms of connection. Multi-media visual performance is Ru's central creative outlet. utilising live-feed video, projectors and a variety of kinetic installations to produce immersive environments. By exploring methods of generating imagery without the need for a digital interface, his process is open to improvisation in a tactile manner. Form and light can be manipulated by hand and motorised platforms. He seek to create experiences where the audience can participate and inform the space they occupy.