Paradise Must Be Nice with Rosaceae, Vanessa Bedoret

At the opening of Paradise Must Be Nice, Rosaceae and Vanessa Bedoret take use the reverb of Zwingli-Kirche as an instrument: Vanessa Bedoret opens with intimate, cinematic compositions for violin and vocals, before Rosaceae, together with Solomon Garçon, examines the sonic aspects of military and cultural structures of dominance through noise, ambient, and vocal improvisation.